Appraisal: Izabel Coles Jewelry & Drawings
Clip: Season 29 Episode 17 | 2m 34sVideo has Closed Captions
Appraisal: Izabel Coles Jewelry & Drawings
Watch Joyce Jonas appraise Izabel Coles jewelry & drawings in Vintage San Jose, Hour 2.
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Appraisal: Izabel Coles Jewelry & Drawings
Clip: Season 29 Episode 17 | 2m 34sVideo has Closed Captions
Watch Joyce Jonas appraise Izabel Coles jewelry & drawings in Vintage San Jose, Hour 2.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: Izabel Coles is a cousin of my mother's.
She designed, I was told, for Tiffany's for about seven or eight years.
And then she decided to go on her own and she opened her own shop on 57th Street in New York City.
APPRAISER: This is the-the scrapbook that contains about 35 to 40 drawings that she did.
And she drew them with the hope of having Tiffany make them.
And we have some jewelry that is based on the drawings that were done.
Just as there were several different artists that designed for Tiffany, so were there several companies that made the jewelry for Tiffany & Company.
In this instance, we don't have any reference to who the company was that indeed made these pieces.
Why don't you tell us about your beautiful brooch?
GUEST: Uh, it was... my mother left a note that it had been designed for her grandmother, which would be my great-grandmother.
APPRAISER: We have another drawing of a beautiful aquamarine ring and, uh, brooch, and here indeed is the ring that's in the drawing.
GUEST: This ring was designed for my mother for her 16th birthday.
And she was born in 1909, so that would be 1925.
APPRAISER: Both of the jewels are, are 18-karat gold.
And the aqua is a very large-size aqua.
It could be almost ten carats.
And it's flanked on either side by demantoid garnets picking up the theme of the green with the blue and then a very, very pale, what appears to be citrine.
Tell us about this wonderful necklace.
GUEST: This necklace was designed in the '40s and was made out of safety pins because it was wartime... APPRAISER: Right.
GUEST: ...and materials were scarce.
APPRAISER: Right.
GUEST: And she wanted to show, I think, that you could still have a beautiful necklace... APPRAISER: Exactly.
GUEST: ...with very little investment into your materials.
This is Izabel.
And she's wearing another design of a safety pin.
She did it in different colors this is a pin, and another bracelet.
APPRAISER: In the retail market, I would estimate the total of all of this, for $40,000 to $60,000.
GUEST: No.
I I mean, I'm doing what everybody says they won't do.
APPRAISER: Are you in shock?
GUEST: Yes, I'm in shock.
Appraisal: Gustav Stickley Desk, ca. 1910
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Clip: S29 Ep17 | 1m 1s | Appraisal: Gustav Stickley Desk, ca. 1910 (1m 1s)
Appraisal: 1813 Reverend Young Marriage Certificate
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Clip: S29 Ep17 | 1m 27s | Appraisal: 1813 Reverend Young Marriage Certificate (1m 27s)
Appraisal: 1886 Leland Stanford-signed Joaquin Miller Book
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Clip: S29 Ep17 | 59s | Appraisal: 1886 Leland Stanford-signed Joaquin Miller Book (59s)
Appraisal: Boxing Folk Art Cane, ca. 1895
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Clip: S29 Ep17 | 47s | Appraisal: Boxing Folk Art Cane, ca. 1895 (47s)
Appraisal: Handel Piano Lamp, ca. 1920
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Clip: S29 Ep17 | 1m | Appraisal: Handel Piano Lamp, ca. 1920 (1m)
Appraisal: "The Grabhorn Press" Sign, ca. 1940
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Clip: S29 Ep17 | 1m 19s | Appraisal: "The Grabhorn Press" Sign, ca. 1940 (1m 19s)
Appraisal: Ansel Adams Modern Prints, ca. 1960
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Clip: S29 Ep17 | 2m 48s | Appraisal: Ansel Adams Modern Prints, ca. 1960 (2m 48s)
Appraisal: T. Earnshaw Marine Chronometer, ca. 1815
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Clip: S29 Ep17 | 2m 18s | Appraisal: T. Earnshaw Marine Chronometer, ca. 1815 (2m 18s)
Appraisal: 1885 Frederic S. Cozzens Chromolithograph
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Clip: S29 Ep17 | 3m 32s | Appraisal: 1885 Frederic S. Cozzens Chromolithograph (3m 32s)
Appraisal: 1934 Martin 000-18 Guitar
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Clip: S29 Ep17 | 2m 55s | Appraisal: 1934 Martin 000-18 Guitar (2m 55s)
Appraisal: Christoph Münhofin "Night" Clock, ca. 1680
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Clip: S29 Ep17 | 2m 36s | Appraisal: Christoph Münhofin "Night" Clock, ca. 1680 (2m 36s)
Appraisal: Italico Brass Oil Painting, ca. 1920
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Clip: S29 Ep17 | 2m 38s | Appraisal: Italico Brass Oil Painting, ca. 1920 (2m 38s)
Appraisal: Marius Hammer Plique-à-Jour Bowl, ca. 1900
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Clip: S29 Ep17 | 1m 59s | Appraisal: Marius Hammer Plique-à-Jour Bowl, ca. 1900 (1m 59s)
Appraisal: Margaret De Patta Studio Jewelry, ca. 1949
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Clip: S29 Ep17 | 2m 27s | Appraisal: Margaret De Patta Studio Jewelry, ca. 1949 (2m 27s)
Appraisal: 1938 Ray Jerome Baker Book
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Clip: S29 Ep17 | 3m 5s | Appraisal: 1938 Ray Jerome Baker Book (3m 5s)
Appraisal: 1990 Wayne Thiebaud Pen & Ink Drawing
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Clip: S29 Ep17 | 2m 49s | Appraisal: 1990 Wayne Thiebaud Pen & Ink Drawing (2m 49s)
Appraisal: Roger Broders Dunkerque Travel Poster, ca. 1930
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Clip: S29 Ep17 | 3m 39s | Appraisal: Roger Broders Dunkerque Travel Poster, ca. 1930 (3m 39s)
Appraisal: Almeric Walter Pottery Vase, ca. 1890
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Clip: S29 Ep17 | 2m 16s | Appraisal: Almeric Walter Pottery Vase, ca. 1890 (2m 16s)
Appraisal: Philadelphia Walnut Sideboard, ca. 1880
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Clip: S29 Ep17 | 1m 4s | Appraisal: Philadelphia Walnut Sideboard, ca. 1880 (1m 4s)
Appraisal: Enrico Fanfani Oil Painting, ca. 1860
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Clip: S29 Ep17 | 34s | Appraisal: Enrico Fanfani Oil Painting, ca. 1860 (34s)
Appraisal: Japanese Lacquer Box, ca. 1800
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Clip: S29 Ep17 | 3m 41s | Appraisal: Japanese Lacquer Box, ca. 1800 (3m 41s)
Appraisal: Longines Aviator's Watch, ca. 1938
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Clip: S29 Ep17 | 1m 50s | Appraisal: Longines Aviator's Watch, ca. 1938 (1m 50s)
Appraisal: Philadelphia Chippendale Walnut Chair, ca. 1775
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Clip: S29 Ep17 | 3m 20s | Appraisal: Philadelphia Chippendale Walnut Chair, ca. 1775 (3m 20s)
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